Johny Pitts wins Jhalak prize for 'beautiful' history of black Europe
About This Event
Television presenter and musician wins £1,000 prize for writers of colour, with ‘exceptionally thoughtful’ debut Afropean
Extract from Afropean: ‘It really was another world’
Johny Pitts has won the Jhalak prize for his debut book Afropean, an examination of life in black communities across Europe.
The television presenter, photographer and musician was announced as the winner of the annual award for writers of colour in an online ceremony on Tuesday night. He won £1,000 and a trophy sculpted by artist Neda Koochakian Fard.
Johny Pitts: ‘I’m working towards a multiculturalism 2.0’
Read more
Pitts, who was born in Sheffield to an African American father and a white English mother, wrote Afropean after a five-month journey exploring the lives and communities of black Europeans in 10 countries. In the book, Pitts visits places like Stockholm’s Rinkeby district, where 90% of inhabitants are migrants, and Clichy Sous Bois in Paris, where the 2005 riots began.
Speaking to the Observer in 2019, Pitts said he had learned “that the black experience can’t be pinned down to a solid thing. As I travelled, I met Tunisians who had a real problem with Somalians in Sweden, or Martinicans who looked down their noses at Senegalese in France. No matter how much I tried to fit it all together, it never fitted perfectly. Yet at the same time, I saw lots of opportunities for black communities to come together and lots of instances where they did. I saw a continent full of opportunity, of commonalities, of possible solidarities, but ultimately what I found empowering was knowing that the continent was full of people like me.”
From more than 150 submitted books, Afropean was unanimously named the winner by the judges, poet Roy McFarlane, journalist Anita Sethi, and authors Kerry Young and Nikesh Shukla, the latter having cofounded the prize.
Shukla called Afropean an “open-armed book” that “embodies exactly the reasons we set up the prize in the first place”, while McFarlane described it as “a beautiful book to return to time and time again”. Young said it was “exceptionally thoughtful” with a “strong moral compass.”
Pitts’s debut won on a six-book shortlist that included three other first time writers - Candice Carty-Williams’s bestselling novel Queenie, Yvonne Battle-Felton’s historical novel Remembered and Mary Jean Chan’s poetry collection Flèche – as well as Romesh Gunesekera’s novel Suncatcher and Dean Atta’s children’s novel in verse, The Black Flamingo.
Now in its fourth year, the Jhalak prize was set up in 2016 by authors Sunny Singh and Shukla, and Media Diversified to award the best book by a British or British-resident black, Asian and minority ethnic author. It has previously been won by Jacob Ross, Reni Eddo-Lodge and Guy Gunaratne.
In 2017, Tory MP Philip Davies complained to the Equality and Human Rights Commission that the Jhalak prize breached discrimination rules, arguing that the prize was unfair to white authors and was an example of “positive discrimination”. The EHRC dismissed his complaint after an investigation, which Singh said had caused “enormous stress” and wasted resources.
News is under threat ...
… just when we need it the most. Millions of readers around the world are flocking to the Guardian in search of honest, authoritative, fact-based reporting that can help them understand the biggest challenge we have faced in our lifetime. But at this crucial moment, news organisations are facing an unprecedented existential challenge. As businesses everywhere feel the pinch, the advertising revenue that has long helped sustain our journalism continues to plummet. We need your help to fill the gap.
We believe every one of us deserves equal access to quality news and measured explanation. So, unlike many others, we made a different choice: to keep Guardian journalism open for all, regardless of where they live or what they can afford to pay. This would not be possible without financial contributions from our readers, who now support our work from 180 countries around the world.
We have upheld our editorial independence in the face of the disintegration of traditional media – with social platforms giving rise to misinformation, the seemingly unstoppable rise of big tech and independent voices being squashed by commercial ownership. The Guardian’s independence means we can set our own agenda and voice our own opinions. Our journalism is free from commercial and political bias – never influenced by billionaire owners or shareholders. This makes us different. It means we can challenge the powerful without fear and give a voice to those less heard.
Reader financial support has meant we can keep investigating, disentangling and interrogating. It has protected our independence, which has never been so critical. We are so grateful.
We need your support so we can keep delivering quality journalism that’s open and independent. And that is here for the long term. Every reader contribution, however big or small, is so valuable. Support the Guardian from as little as $1 – and it only takes a minute. Thank you.